Enrica is an interaction designer and Fulbright scholar. Fascinated by the interaction between humans and new technologies, between individual and collectivity her projects are all about complexity, emotions and behavior. Selected by the Italian Fulbright Commission and financed by the department for International Affairs of the Italian Ministry of Education to earn a MFA in Design and Technology in Parsons which awarded her further Scholarships for demonstrating ability in combining design and new technologies. Her teaching career began in ISIA Roma Design (Italy) and has continued in Parsons where she taught the course the Design of the everyday Technology. Alongside her academic career she worked for multiple design research Labs and for ESPN+NYC Media Lab on the future of live sport consumption. Her work Complessità has been showcased at the NYC Media Lab annual Summit, Tribeca Film Festival, NYC Creative Tech Week e Digital Design Days. Enrica’s work has been featured on The Creators Project, Agenda Culturelle, Loves by Domus. Awarded of the “Extraodinary Abilities in the Arts” American visa, she has been working for three years as Interaction Design Lead for a tech company specialized in online Identity verification, computer vision and machine learning and she recently joined Johnson&Johnson Design studio
(supported by Roula Gholmieh)
Roula is a Lebanese Brooklyn based digital artist, designer and architect. Her work is at the intersection of arts and technology ranging from installations for physical spaces to interactive objects and digital experiences. She focuses on the playful and unexpected; always pushing the boundaries of traditional narratives through the melding physical and digital. Roula holds an MFA in design and technology from Parsons NY and a BA of Architecture from the American University of Beirut. Her work has been exhibited at the Tribeca Film Festival Interactive, Creative Tech Week, SXSW and NYC Media Lab
Description of the work
Complessitá is a performance that reverses the traditional human-machine interaction to reveal the beauty of complexity and our role within it. At the crossroads of arts, technology, science, and biohacking Complessità brings us into a new dimension where technology collaborates with a moving human body as the operator and not just the executor.
Our role within complexity is explored through a transposition of data from virtual to biological, using a Galvanic Vestibular Stimulator (GVS) that ties the performer’s body direction to the direction of a flocking algorithm projected as a particle display. The dancer is forced to sway according to the flock’s movements, thanks to GVS that sends electric messages to the nerve in the ear which maintains balance. By altering the performer’s vestibular sense, their perception of how they are oriented in space changes to align with the flock. This performance represents the continuity of humans and the natural world. Contrary to the presumptions of anthropocentrism, we are all at the mercy of complexity; we are part of a whole, with no center to which we are fundamentally tied. The ultimate goal of this piece is a cultural shift from egocentrism to ecocentrism, and the use of technology plays a symbolic role in changing the paradigm from self-assertion to integration with a whole greater than the sum of its parts. This piece questions authority, power, and human behavior. Computer science and sensing technologies have introduced multiple ways to transfer data from physical to digital contexts, but rarely the opposite.Therefore, we see interactive performances where A/V components are manipulated in a one-way type of interaction. In Complessità, the machine loses its unilateral position as a receiver of human instruction and instead participates (finally) in an expressive, mutual work of art. Singularity and collectivity operate across both biological and computational contexts, resulting in symbiotic human-technology relations. GVS Device